Monday, March 11, 2019
Nineteen Eighty Four Essay
nineteen Eighty Four is George Orwells nightm be vision of the next. Written in 1948, at the end of World War II, Orwell simply switched numbers for his future view. The opening chapter is very effective in the itinerary that it straight by lets the reader know the style of the novel. The opening is a description of post- fight London, and the design of the main character. Orwell saw the evil in the war just passed, and wrote to the highest degree it. The imagery utilise can all be linked to the war or London. The novel is not personal, with more write to the party and regimes, Orwell was a political writer, an extreme socialist.He is criticizing any political regime, socialist or fascist. Right from the outset the author intends to draw attention to the setting. The chapter is typical of the concur as a whole describing Orwells dystopia. The main character we argon first introduced to is Winston Smith. This is a common, English name, showing that Winston is in no way sep arate from the majority. The name Winston can be linked to Winston Churchill, who had just tend England through the war. Along with the name, Winston is not presented as a hero, as unmatched would expect of a main character.Winston is thirty nine and had a varicose ulcer above his right ankle and is incredibly unfit, resting several time on his way up the stairs. We are not, however, given a genius for our hero we engage to wait until part II of the novel to germinate personal dot. The opening passage introduces us to life for Winston. The settings describe are not pleasant. Outside, there is a vile wind and a convolution if gritty dust. Inside Victory Mansions, where Winston resides, for it cannot be said that he lives, it is not much better. The hallway smelt of boiled cabbage and old slash mats. This gives the impression of rotting and deterioration. Everything is rati aned this is a reference to the war. The present electric automobile current was cut off during daylig ht hours. Winston uses blunt razor blades and rough-cut soap. at that place is no colour described in the opening, the picture of the settings in the readers mind are black and white, therefore self-aggrandising a sense of a grey, unhappy world. The quite a little of London are not free. There is an imposing poster everywhere one turned, perambulator the caption, BIG BROTHER IS WATCHING YOU. The man in the poster, the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features could very well be Hitler or Stalin, another reference to the war. There is a sense of being watched, the enormous face gazed from the wall. It was one of those pictures so contrived that the eyes follow you about when you move. The notion of outstanding Brother is introduced to us in the first ten lines of the novel, this clearly shows us where Orwells intentions lie. We are introduced to the concept of Hate Week, although no further detail is given.Orwell writes of it as though it is an every day event and nothing moody should be thought of it. Big Brother is the antithesis of Winston, strong and powerful vs. unaccented and weak. The reader perk ups the impression Winston could never overthrow the party, although we are not further introduced to his rebellious side as he does not yet have a character. We are introduced to the party slogans. The set out of them is a triangle, representing hierarchy, authority. The haggling are oxymorons, War and peacefulness, Freedom and Slavery, Ignorance and Strength.The words are ironic when used next to each other. They are each the antithesis of the other. If you take away peoples knowledge, you can tamper with their minds, as shown in the last slogan. erstwhile inside Winstons flat, we are introduced to the telescreens, furthering the notion that no one is free. There are helicopters that look into the houses and the telescreens that watch you. There is a description of a dulled mirror but mirrors cannot be dull, or the view would be distorted, this is another message from Orwell showing us nothing was clear.We get more description of Winston, still nothing personal, and still anti-heroic, a smallish, frail figure, the scantness of his body merely emphasized by the blue overalls which were the uniform of the party. We get the impression he is not well. Everything he can see from his windowpane is unpleasant, the world looked cold, it was torn and harsh. References to the war are frequent. The Ninth Three-Year Plan is ironic, because it would not be possible, and the Three-Year Plan relates to the plan Germany had after the war.The houses are describes as rotting, and their sides shored up with baulks of timber, their windows patched with cardboard and their roofs with corrugated iron. This is war-torn London. The place Winston lives, Oceania is at war. Orwell suggests the war is just a tool used by the party to cover the people oppressed. We are introduced to the Minist ries. Their descriptions are the antithesis of the houses described. They are described as startlingly different and they are a wonder to look at.The Ministries are of Truth, Love, Peace and Plenty. The irony lies in the fact that the Ministry of love was the frightening one. Things were done with military precision, even the time is in twenty-four hour clock. The Ministries were guarded by uniformed, armed guards, gorilla-faced guards. Orwell uses alliteration to emphasize how imposing and horrible they looked. Another war image. The opening chapter is very effective in making the reader ghastly to read on, as it makes you feel you are recital history.This is because we are reading with hindsight. The reader feels they want to get to know Winston better because of what they have so far read. Orwell is effective is his opening because the settings are so well described that you instantly get a mental picture and are intrigued by the contrast between the war-torn London so well c ognise and the surreal idea of helicopters looking in windows. It makes the reader wonder what tycoon have happened had the war turned out differently, and Orwells Big Brother, Hitler or Stalin, had been successful.
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